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Oh, the horror!

The New York Times discusses the pluses and minuses of local governments giving companies subsidies to film in their states.

Less than two years ago, [Andrew] den Houten became one of the first to take advantage of Michigan’s generous subsidy, which pays for up to 42 percent of a movie’s cost, when he made “Offspring,” a cannibalism-themed horror picture that was later distributed by the Ghost House Underground direct-to-video line and has been showing on NBC Universal’s Chiller TV network.

“The Woman,” a sequel to “Offspring,” is a little less horrific, Mr. van den Houten said in an interview.

“We had babies in the first movie,” he offered.

The Michigan film bureau was less-than pleased by the topic, saying “This film is unlikely to promote tourism in Michigan or to present or reflect Michigan in a positive light,” while objecting to “this extreme horror film’s subject matter, namely realistic cannibalism; the gruesome and graphically violent depictions described in the screenplay; and the explicit nature of the script.”

The director promises to move forward, nonetheless.

Mr. van den Houten, whose company is based in New York, said his plan is to move “The Woman” to Massachusetts, where the subsidy program has no apparent strictures on extreme horror.

So, anyway, what's for lunch?

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Comments

Horror fans don't judge a place based on the subject matter of a film, and I doubt anyone who isn't a horror fan is going to delve to deeply into precisely where a movie was shot to be offended at the idea of traveling there. In fact, horror films are known for bringing tons of fans to the areas in which they were filmed. In many cases, for decades after the fact.

30+ years on, "Evil Dead" and the original "Dawn of the Dead" still bring a good number of people to their little corners of the country. Excluding those who go and hunt down old locations, you still get a great deal of exposure for a given area.

I'm willing to be that if the 2004 "Dawn of the Dead" remake had been shot at the Cambridgeside Galleria, it would have had just as much of a positive impact on Boston-area tourism as the cheery "Next Stop, Wonderland".

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The mall in the 2004 remake of Dawn of the Dead was foreclosed on and shut down due to not being profitable.

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Which made filming much easier than it had been for the original production at the Monroeville Mall in PA back in the '70s.

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