Hey, there! Log in / Register

Boston declares Downtown Crossing building a historic gem

Ornate top of the Jewelers Building

Top of the building, from Landmarks Commission report.

The Boston Landmarks Commission recently designated the Jewelers' Building at Washington and Bromfield streets as the city's newest official landmark.

The building - originally two separate structures erected in 1897 and 1904 - is, according to a commission report:

A commanding example of large-scale, steel-frame commercial architecture built at the turn of the 20th century in Boston’s Financial District. It is notable for its use of thin-skinned terra cotta cladding with unusually vibrant sculptural ornament, and its harmonious interpretation of Beaux Arts, Spanish Renaissance, and Classical Revival styles. It is also notable as the work of two prolific architectural firms, Winslow & Wetherell and Arthur
Bowditch, as well as one of the foremost building contractors in the nation in the late 19th and 20th centuries, George A. Fuller & Co. Largely intact, the property retains integrity of location, setting, design, materials, workmanship, feeling, and association.

Designation means that any potential changes to the building's exterior would have to be reviewed by the commission first.

The commission first began studying whether to designate the building as an official landmark in 1986.

Neighborhoods: 


Ad:


Like the job UHub is doing? Consider a contribution. Thanks!

Comments

Wow, 39 years. The original documents are almost ready to be landmarked themselves.

Dogs and cats, living together.

GOOD, this is a beautiful building that's within blocks of many, many more important and historic buildings.

For those interested, here's the official Landmarks map that shows every district and building currently covered by landmark protection. Click on a district or building of interest and you can learn more.

https://boston.maps.arcgis.com/apps/instant/minimalist/index.html?appid=...

In other words no developer has offered enough money to the commission members to get their cooperation to tear the building down.

The current panel bent over and took it in the wallet faster than the Post and Facebook CEOs bent over and kissed every part of the creature that Paul Cadmus presciently painted in his Seven Deadly Sins depiction of Pride. The glass box they paved the way for whatever they were paid (gifts, guarantees of employment, whatever benefits of wheeling and sucking up that happens among the local worthies), gave us another glass box designed by that infamous architecture firm of Boring, Dull and Worthless.

The migrant workers who once specialized in this type of exterior work became American citizens and no longer passed on the knowledge to do this kind of work.

Corporations now classified as legal persons have no sense of style and only care about profits, hence the glass box workplace renaissance we are experiencing today. You can get more workers into glass boxes. More workers mean more profits.